Chris Duarte - Shilo Part 1
Chris Duarte Gear Talking
Chris_Duarte_Group_-_Vantage_Point_2008.rar
http://rapidshare.com/files/148695272/Chris_Duarte_Group_-_Vantage_Point_2008.rar
http://www.thechrisduartegroup.com/
Chris Duarte : Guitars, Vocal
Joel Powell: Bass
Chris Burroughs: Drums
01. The Best I Can Do
02. Satisfy
03. Slapstak
04. More Boogie
05. Troubles On Me
06. Let's Have A Party
07. The End Of Me And You
08. Blow Your Mind
09. She Don't Live Here Anymore
10. Babylon
11. Woodpecker
12. Blow Your Mind (Extended Version )
13. Troubles On Me (Extended Version)
Chris Duarte, a San Antonio native was born in February of 1963, the same year as his Strat. The new CD Vantage Point is poised to surpass the expectations of his loyal fan base as it features his best work in the context of high energy blues rock contains moments that bring to mind legendary artists as diverse as Stevie Ray Vaughan, Jimi Hendrix and Eric Johnson. Get ready to have your face rocked off! Chris Duarte has been known to play guitar till his fingers bleed.
Now six albums into his career, it doesn't seem likely that Chris Duarte will ever quite shake off comparisons to Stevie Ray Vaughan and, to a lesser extent, Jimi Hendrix -- not because those comparisons are lazy critical shorthand but because Duarte continues to find more to mine in the tones and licks of those twin Stratocaster gods. On Vantage Point he relies rather heavily on Texas shuffles and slow, elongated 12-bar blues, so the scales are tipped slightly in SRV's favor, but Duarte does manage to fuse his two inspirations on "She Don't Live Here Anymore," which comes across as a Stevie Ray spin on "Voodoo Chile." Of course, Vaughan covered that on Couldn't Stand the Weather, finding his own voice within Hendrix, and Duarte follows his idol's lead here, creating his own sound out of his inspirations. At first, the similarities to Stevie Ray can be overwhelming -- Duarte loves that big, clean out-of-phase sound that SRV did -- but that fades away as you concentrate on how Duarte spins away from that, either in the funky, Jeff Beck fusion of "Woodpecker," or how liquid his leads on "More Boogie" are. Throughout this record, Duarte's playing is this exceptional, but the best moments here are when his writing is up to his playing, as it is on the old-style roadhouse shuffle "Satisfy." These are the moments that suggest his growth as a writer is starting to match his growth as a player.
Chris Duarte, a San Antonio native was born in February of 1963, the same year as his Strat. The new CD Vantage Point is poised to surpass the expectations of his loyal fan base as it features his best work in the context of high energy blues rock contains moments that bring to mind legendary artists as diverse as Stevie Ray Vaughan, Jimi Hendrix and Eric Johnson. Get ready to have your face rocked off! Chris Duarte has been known to play guitar till his fingers bleed.
Now six albums into his career, it doesn't seem likely that Chris Duarte will ever quite shake off comparisons to Stevie Ray Vaughan and, to a lesser extent, Jimi Hendrix -- not because those comparisons are lazy critical shorthand but because Duarte continues to find more to mine in the tones and licks of those twin Stratocaster gods. On Vantage Point he relies rather heavily on Texas shuffles and slow, elongated 12-bar blues, so the scales are tipped slightly in SRV's favor, but Duarte does manage to fuse his two inspirations on "She Don't Live Here Anymore," which comes across as a Stevie Ray spin on "Voodoo Chile." Of course, Vaughan covered that on Couldn't Stand the Weather, finding his own voice within Hendrix, and Duarte follows his idol's lead here, creating his own sound out of his inspirations. At first, the similarities to Stevie Ray can be overwhelming -- Duarte loves that big, clean out-of-phase sound that SRV did -- but that fades away as you concentrate on how Duarte spins away from that, either in the funky, Jeff Beck fusion of "Woodpecker," or how liquid his leads on "More Boogie" are. Throughout this record, Duarte's playing is this exceptional, but the best moments here are when his writing is up to his playing, as it is on the old-style roadhouse shuffle "Satisfy." These are the moments that suggest his growth as a writer is starting to match his growth as a player.
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