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sexta-feira, 26 de setembro de 2008

Chris Duarte Group - Vantage Point (2008)


Chris Duarte - Shilo Part 1


Chris Duarte Gear Talking


Chris_Duarte_Group_-_Vantage_Point_2008.rar

http://rapidshare.com/files/148695272/Chris_Duarte_Group_-_Vantage_Point_2008.rar


http://www.thechrisduartegroup.com/

Chris Duarte : Guitars, Vocal
Joel Powell: Bass

Chris Burroughs: Drums



01. The Best I Can Do

02. Satisfy
03. Slapstak
04. More Boogie
05. Troubles On Me
06. Let's Have A Party
07. The End Of Me And You
08. Blow Your Mind
09. She Don't Live Here Anymore
10. Babylon
11. Woodpecker
12. Blow Your Mind (Extended Version )
13. Troubles On Me (Extended Version)

Chris Duarte, a San Antonio native was born in February of 1963, the same year as his Strat. The new CD Vantage Point is poised to surpass the expectations of his loyal fan base as it features his best work in the context of high energy blues rock contains moments that bring to mind legendary artists as diverse as Stevie Ray Vaughan, Jimi Hendrix and Eric Johnson. Get ready to have your face rocked off! Chris Duarte has been known to play guitar till his fingers bleed.
Now six albums into his career, it doesn't seem likely that Chris Duarte will ever quite shake off comparisons to Stevie Ray Vaughan and, to a lesser extent, Jimi Hendrix -- not because those comparisons are lazy critical shorthand but because Duarte continues to find more to mine in the tones and licks of those twin Stratocaster gods. On Vantage Point he relies rather heavily on Texas shuffles and slow, elongated 12-bar blues, so the scales are tipped slightly in SRV's favor, but Duarte does manage to fuse his two inspirations on "She Don't Live Here Anymore," which comes across as a Stevie Ray spin on "Voodoo Chile." Of course, Vaughan covered that on Couldn't Stand the Weather, finding his own voice within Hendrix, and Duarte follows his idol's lead here, creating his own sound out of his inspirations. At first, the similarities to Stevie Ray can be overwhelming -- Duarte loves that big, clean out-of-phase sound that SRV did -- but that fades away as you concentrate on how Duarte spins away from that, either in the funky, Jeff Beck fusion of "Woodpecker," or how liquid his leads on "More Boogie" are. Throughout this record, Duarte's playing is this exceptional, but the best moments here are when his writing is up to his playing, as it is on the old-style roadhouse shuffle "Satisfy." These are the moments that suggest his growth as a writer is starting to match his growth as a player.




quarta-feira, 24 de setembro de 2008

Queen and Paul Rodgers - The Cosmos Rocks (2008)

Queen + Paul Rodgers - Cosmos Rockin (Live)


The Cosmos Rocks Q and A Session1

http://www.queenonline.com/


The_Cosmos_Rocks.rar

http://rapidshare.com/files/148075623/The_Cosmos_Rocks.rar



Bigger than a house rockin’, bigger than your city rockin’, bigger than the country rockin’, even bigger than the whole Earth rockin’, here it is, the first new studio album involving Queen since 1995 and the entire COSMOS is rockin’.

Not like the boys haven’t been busy, a worldwide sold-out tour with singer Paul Rodgers in 2006/7, the worldwide smash hit rock musical We Will Rock You built around the music of Queen, the 46664 African AIDS charity they co-founded with Nelson Mandela, Brian May’s newly minted Doctorate in Astronomy, and, of course, their ever vibrant hits which continued to get played on radio stations ranging from Radio Disney to Classic Rock, with everything in between.

Queen’s newly re-organized Internet profile has immediate impact on the new Queen+Paul Rodgers release - 1.2 MILLION friends on iLike, 350,000 friends on Facebook with active sites and planned features on MySpace, Bebo, Buzznet and iMeem PLUS, for the first time, an official Queen YouTube channel programmed featuring clips which have already garnered over 60 million views!

The album includes the first single “C-lebrity”, the 46664 theme “Say It’s Not True” centerpieces “Still Burnin’”, “Time To Shine” and We Believe” and 9 more soon-to-be classics.

terça-feira, 23 de setembro de 2008

Peter Friestedt - L.A. Project, Vol. 2 (2008)





http://www.peterfriestedt.com

L.A._Project__Vol._2.rar

http://rapidshare.com/files/147783143/L.A._Project__Vol._2.rar


1. Where To Touch You(Bill Champlin/Cunnarsson, S./Peter Friestedt/J. Lundberg)
2. Cheyenne (Peter Friestedt / Randy Goodrum)
3. One More Night (Tommy Denander / Peter Friestedt / Brian Hobbs)
4. There Ain't Nothin' (Bill Cantos / Peter Friestedt / Gunnarsson, Stefan / Brian Hobbs)
5. Love Is Gonna Getcha (Lou Pardini / Scott, Alan Roy / Reed Vertelney)
6. Closer To Home (Peter Friestedt)
7. Always On My Mind (bonus track) (Peter Friestedt / Brian Hobbs / Sjöberg, Henrik)
8. Love Is A Powerful Thing (Michael Ruff)
9. Careless Mockingbird (Randy Goodrum)
10. Waiting For You (Peter Friestedt)

Peter Friestedt
(guitar, keyboards)

Joseph Williams (vocals)
Bill Champlin (vocals)
Randy Goodrum (vocals, keyboards)
Lou Pardini (vocals, keyboards)
Bill Cantos
(vocals, keyboards)
Michael Ruff (vocals)
Stefan Gunnarsson (vocals, keyboards, bass, guitar)
Abraham Laboriel (bass)
John Robinson (drums)
Tris Imboden (drums)
Tommy Denander (guitar, bass)
Ingemar Aberg (tbd)
Wojtec Goral (saxophone, flute)
Magnus Johansson (trumpet, flugel horn)

Peter Friestedt's latest album is the follow-up to the critically acclaimed album from five years ago. The new album features lead vocals from Joseph Williams, Bill Champlin, Randy Goodrum, Lou Pardini, Michael Ruff and Bill Cantos. Some of them also lend their help as featured musicians on the album, among the other musicians we also find Peter Friestedt (of-course) and friends like Abraham Laboriel, John ‘JR’ Robinson, Tris Imboden and Stefan Gunnarsson. The album is mixed by Ronny Lahti and mastered in HDCD-quality by Björn Engelman at Cutting Room in Stockholm. The material on the album is very strong and Peter has amongst others co-written with Bill Champlin and Randy Goodrum. What makes this record irresistible is the combination of outstanding musical performances, state of the art song-writing and high quality production!

sexta-feira, 19 de setembro de 2008

Yellowjackets - Lifecycle (2008)






http://rapidshare.com/files/146736182/Yellowjackets_-_Lifecycle_-_2008.rar


http://www.yellowjackets.com

Russell Ferrante: keyboard
Jimmy Haslip: bass
Bob Mintzer: sax
Marcus Baylor: drums
Mike Stern: guitar


According to some basic, undeniable laws of nature, when two powerful forces collide, something explosive will occur, and a dramatic transformation is likely to take place as a result. It’s a law that applies to every dynamic in the known universe, including jazz.

It stands to reason, then, that when a formidable jazz quartet like the Yellowjackets convenes in the studio with a high-energy guitar virtuoso like Mike Stern, the resulting reaction will be a singular event – one that’s likely to create something entirely new on the jazz landscape. The new collaborative recording by the Jackets and Stern, and the first Yellowjackets recording in 15 years to feature a guitar player, Lifecycle illustrates the kind of energy and creative brilliance that results when five talented players pool their individual talents as songwriters and musicians and merge into an entity that’s far greater than the sum of its parts.
  1. Falken's Maze (Bob Mintzer)
  2. Country Living (Jimmy Haslip)
  3. Double Nickel (Mike Stern)
  4. Dreams Go (Mike Stern)
  5. Measure of a Man (Russell Ferrante)
  6. Yahoo (Bob Mintzer)
  7. I Wonder (Bob Mintzer)
  8. 3 Circles (Marcus Baylor / Russell Ferrant / Jimmy Haslip / Bob Mintzer )
  9. Claire's Closet (Russell Ferrante)
  10. Lazaro (Jimmy Haslip / Bob Mintzer


Count Basic - Love & Light (2007)



http://www.countbasic.com

Count_Basic_-_Love___Light.rar

http://rapidshare.com/files/147165258/Count_Basic_-_Love___Light.rar



1.Last Man On Earth (P.Legat, A.Janoska jun./K.Smith)

2.LOVE & LIGHT (P.Legat, A.Janoska jun./K.Smith)

3.No Visible Scars (P.Legat/P.Legat, K.Smith)

4.Supa Dupa (P.Legat, A.Janoska jun./K.Smith)

5.Love Thang (P.Legat, A.Janoska jun./K.Smith)

6.I Wanna Get Off (P.Legat, A.Janoska jun./K.Smith)

7.Get By (P.Legat, A.Janoska jun./K.Smith)

8.Nobody Loves Me Better (A.Janoska jun./K.Smith)

9.Right All The Time (P.Legat/K.Smith)

10.Sun Shines On You (P.Legat, A.Janoska jun./K.Smith)

11.Sir Karl (Peter Legat)

12.People These Days (P.Legat, A.Janoska jun./K.Smith)

13.Back to Nice (P.Legat, A.Janoska jun.)


Kelli Sae - Voz
Peter Legat - Guitarra
Willi Langer - Baixo
Dieter Kolbeck - Teclados
Dirk Eichinger - Bateria
Laurinho Bandeira - Percussão (Contribuição brazuca)
Christian Radovan - Trombone
Martin Fuss - Sax Tenor
Bumi Fian - Trompete

It has been 13 years now that Count Basic, the brain child of Peter Legat and Kelli Sae, started to please their audiences all over the world with distinctive cosmopolitan soundscapes – although they hail from the rather small metropolis of Vienna, Austria. But maybe the new art of world music isn’t about hype-fringed ethno-styles at all. For sure it’s all about the groove and how you play it. “Love & Light”, the new album by Count Basic stands up to prove this point – impressive, persuasive and in a better temper than ever.

5 years have passed since the release of the last full-length-album by the almost legendary formation and not only a change of record label happened on the way.

“It’s very exciting for us do a fresh start” says Peter Legat, “the change of label has boosted our motivation and pulled us away from the old tracks – so far away that we reached back to our very roots, the typical Count Basic-Sound of the nineties.”

“Love & Light” is also the fifth Count Basic-album since their first LP “Life Think It Over” from 1994. When Legat, together with the premier league of acid jazz, recorded this first album in London he met Kelli Sae, a young vocalist from New York, who contributed to the very first hits of Count Basic. Since then Sae has been a regular member of the worldwilde successful group.


quinta-feira, 18 de setembro de 2008

Fourplay - Energy (2008)

01. Fortune Teller (Jeff Babko/Nathan East/Bob James)
02. The Whistler (Harvey Mason, Sr.)
03. Ultralight (Larry Carlton)
04. Cape Town (Dones, Alan/Nathan East/Marcel East)
05. The Yes Club (Bob James)
06. Prelude For Lovers (Kevin DiSimone/James, Hilary)
07. Look Both Ways (Bob James)
08. Argentina (Harvey Mason, Sr.)
09. Comfort Zone (Larry Carlton)
10. Sebastian (Larry Carlton)

Fourplay Generates Smooth Jazz Energy

Fourplay JazzWhen keyboardist Bob James, bassist Nathan East, guitarist Larry Carlton and drummer Harvey Mason come together as Fourplay, the result is an undeniable energy that perpetuates itself. This the title of their upcoming release, Energy, makes perfect sense. The acclaimed contemporary jazz quartet is scheduled to release their new album worldwide on September 23rd.

Energy grafts a variety of sounds – R&B, pop, African and more – to Fourplay’s unwavering jazz foundations. In addition to vocals by East – a charter member since the band’s inception in 1990 – the album also features a vocal track by Esperanza Spalding, the upright bassist, composer and vocalist who has recently taken the jazz world by storm with her self-titled debut earlier this year.

“I always feel a special energy coming from all four corners of this group,” says James, who originally came up with the album title. “This combination of passion and intensity is what keeps me coming back for more. The energy is multiplied by a factor of four.”

“The title is a reflection of the various moods captured in the tracks,” East adds. “Whether romantic or sophisticated, upbeat or mellow, each player brings his own unique energy to the music. That combination of energies reflects what this album is all about.”

Spalding appears on the track “Prelude for Lovers” and according to James this track turned out to be “one of the most exciting developments that came about during the recording,” thanks in large part to Esperanza’s guest vocals.

The song was written by James’ daughter Hilary and her husband, Kevin DiSimone, as a showcase for a guest vocalist that had yet to be decided. “Heads Up President Dave Love suggested Esperanza, and the rest, as they say, is history. Talk about energy, she’s got it! Her fresh, intimate style was a perfect match for this song. She was a dream to work with in the studio, full of ideas and confidence.”

Carlton adds: “All I can say about Esperanza’s contribution to this track is ‘Wow!’ She sounds so comfortable in our setting. What a great performance.”

The album’s closing track, “Sebastian,” takes its name from one of the greatest classical composers of all time. “I surprised everyone by bringing in a sketch based on a chord progression from a Bach piano piece I had been playing at home,’ says James. “It occurred to me that it might provide the framework for a Fourplay song. We all have classical backgrounds to some degree, so I thought it would be fun to try something to bring out that aspect of our performing.”

Regardless of the eclectic range of sources – jazz, pop, funk, R&B or even classical – “the overriding goal, as always, was to make the very best CD we could,” says Mason. “Our constant aim is to explore and push the boundaries while still satisfying our longtime fans, who have traveled this journey with us for nearly two decades.”

For more information on Fourplay you can visit them online at fourplayjazz.com. For more information on upcoming releases you can check out headsup.com.

quarta-feira, 17 de setembro de 2008

Incognito - Tales From The Beach (2008)




Hospede inúmeras fotos no slide.com GRÁTIS!


However fans choose to label Incognito's sound in the post acid jazz world of 2008, it was clear that wherever the group performs, its feisty mix of retro soul, brass, funk and jazz truly lived up to the title of 2004's Narada Jazz disc Adventures in Black Sunshine. Founder Jean-Paul "Bluey" Maunick and his often rotating "collective" group averaged an incredible six months a year on the road, wowing crowds throughout Europe and Asia, where they're biggest in Japan and Indonesia. Incognito's uniquely funky, retro soul sound is so urban that it may have at first seemed odd to call their equally infectious, constantly grooving Heads Up debut Tales From The Beach--till we realize that the beaches Maunick is referring to are those on his native island of Mauritius (off the coast of Madagascar). That's where he got wind of hotel bands and others playing around bonfires and cookouts; the loose, happy flow of Incognito's bouncy, horn inflected tunes here completely reflects that wistful reference. While Maunick's crisp, jangling guitar work, Francis Hylton's bubbling bass and those old school soul atmospheres and horns inhabit every melody and groove, these tales are told by a shimmering array of sensual R&B singers. The most well-known of these to longtime Incognito and smooth jazz fans is Maysa, who took time from her building solo career to grace four tracks with her rich and sexy, dark toned vocals: the soaring, percussive dance gem "I've Been Waiting," the dreamy melancholy meets joy-infused "I Remember A Time," the fast rolling jazz tune "Never Look Back" and the sensuous chill rocker "When Words Are Just Words." At a generous fifteen tracks, Tales From The Beach gives ample tracking to a handful of lead vocalists who are lesser known than Maysa but equally as heart tugging and soul-spiced: Joy Rose, Tony Momrelle and Imaani. The three of them team up on the brass and vibes-tinged anthem "Feel The Pressure," perfectly showcasing the true ensemble energy that's made Incognito such a powerful force in post acid jazz groove music for so many years.

01_-_Step_Aside.mp3

http://rapidshare.com/files/146135635/01_-_Step_Aside.mp3

02_-_I_ve_Been_Waiting.mp3

http://rapidshare.com/files/146135636/02_-_I_ve_Been_Waiting.mp3

03_-_When_The_Sun_Comes_Down.mp3

http://rapidshare.com/files/146135637/03_-_When_The_Sun_Comes_Down.mp3

04_-_Love__Joy__Understanding.mp3

http://rapidshare.com/files/146135638/04_-_Love__Joy__Understanding.mp3

05_-_I_Come_Alive__Rimshots_And_Basses_.mp3

http://rapidshare.com/files/146135639/05_-_I_Come_Alive__Rimshots_And_Basses_.mp3

06_-_Happy_People.mp3

http://rapidshare.com/files/146135640/06_-_Happy_People.mp3

07_-_N.O.T..mp3

http://rapidshare.com/files/146135641/07_-_N.O.T..mp3

08_-_Freedom_To_Love.mp3

http://rapidshare.com/files/146135642/08_-_Freedom_To_Love.mp3

09_-_I_Remember_A_Time.mp3

http://rapidshare.com/files/146135644/09_-_I_Remember_A_Time.mp3

10_-_It_May_Rain_Sometime.mp3

http://rapidshare.com/files/146135645/10_-_It_May_Rain_Sometime.mp3

11_-_Never_Look_Back.mp3

http://rapidshare.com/files/146148048/11_-_Never_Look_Back.mp3

12_-_When_Words_Are_Just_Words.mp3

http://rapidshare.com/files/146148049/12_-_When_Words_Are_Just_Words.mp3

13_-_Feel_The_Pressure.mp3

http://rapidshare.com/files/146148050/13_-_Feel_The_Pressure.mp3

14_-_Silence_Of_My_Mind.mp3

http://rapidshare.com/files/146148051/14_-_Silence_Of_My_Mind.mp3

15_-_Tales_From_The_Beach.mp3

http://rapidshare.com/files/146148052/15_-_Tales_From_The_Beach.mp3



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